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March 30, 2008

Monday's Reviews Today: Black Flies

Starred PW for Black Flies by Shannon Burke.

Gunshot wounds, crack pipes and rotting corpses abound in this raw and fascinating novel about Harlem paramedics in the mid-1990s, the second novel from former EMT Burke. Oliver Cross graduated from Northwestern as a middle-class do-gooder. But he and his partner, Rutkovsky, a jaded Vietnam veteran and one of the city’s best medics, see enough massive trauma to put Cross on the fast track to deep disillusionment. Of the bizarre, tragic and often shocking emergencies encountered during Cross’s rookie tenure, the crisis comes when he and Rutkovsky respond to a call from an abandoned building where a crack-addicted, HIV-positive mother has just given birth to a premature baby, and their handling of the mother and child—believed to be stillborn—will alter the course of both men’s lives. Burke is a poet of trauma, and his expert, macabre portrayal takes its toll on the reader just as the job takes its toll on Cross. (May)

March 29, 2008

Curse + Berate in 69 Seconds...

An announcement from our friends and business partners at the Gobshite Quarterly...

Attention all film & video geeks, cinema & film studies majors, videographers & would-be pornographers. (Actual pornographers need not apply.) The sickened & twisted & jaded folks at Gobshite Quarterly are pleased as Plato on percocet to announce a Contest on the Internet.

Rules: To qualify one must submit compressed video files on a compact disc, along with an SASE & cover letter identifying the filmmakers, to:
GobQ LLC, PO Box 11346, Portland OR 97211-0346.

There are three (3) basic rules:
RULE ONE: The film or video (whether 70/35/16/super-8 mm, H-D, x-ray, or kirkian photography) must be no more than sixty-nine (69) seconds long, & no less! Submissions of 68 or 70 seconds shall not qualify. Sixty nine (69) seconds is what entrants MUST aim for, & achieve—whether individuals or teams.
RULE TWO: The content of the film or video can be in any narrative form (dramatic, comedic), whether sketch, puppet show, live action or animé...but the content MUST be based on or inspired by curse + berate in 69+ languages.
RULE THREE: Audio in one of the 69+ languages chosen needs to be provided by native-speakers, or people at least fluent enough not to sound like stroke victims or grade school Spanish teachers . (If this rule is broken it better be broken brilliantly.) Submitted films will be posted on the You-Tube and be judged by a panel including the producer of Ramones' END OF THE CENTURY.
RULE FOUR: The first submission is free. However, multiple submissions must include a $10 entry fee (chk or money order).

FIRST PRIZE: $200, a t-shirt, & a selection of Soft Skull titles.
SECOND PRIZE: $50, a t-shirt, & a selection of Soft Skull titles.
THIRD PRIZE: a t-shirt, & a selection of Soft Skull titles.

Deadline: Films must be submitted by Bastille Day, 2008.
curse + berate in 69+ languages


being a concise compendium + verbal pictionary + day-for-night-book of salaams + salutations + greetings + schadenfreude + unblessings + invective + invidious comparisons + insults + sarcasms + snits + pouts + unkind words + anti-benedictions + obscenities, delicate + indelicate + blasphemies + verbal aggggresssssions + cris-de-coeur + merde-de-jour + esprit de l'escalier + sinister wisdoms + tantrums + thought-crimes + bigotries + dutch courage + tijuana bibles + german sense of humor + aneurysms-for-brunch + sit-next-to-mezes in approx. 90 languages - give or take a dialectic or uncivil war ...
Curse + Berate in 69+ Languages by R. V. Branham

March 28, 2008

Shanna Compton, Kennifer Knox, and Danielle Pafunda are three of the finest...

...poets to ever publish with Soft Skull. And the first poet now has her own press, called Bloof!, wherein she now publishes the second and third, and they're all going on a poetry road-trip together, so here's the schedule. (So if you're a resident of Milwaukee, Chicago, Bloomington, Lawrence, Urbana-Champaign, etc, check 'em them...)

We're in a poem!

And the poem's called Viagra.

March 27, 2008

The Pisstown Chaos Gratis

By way of building a little buzz in advance of the publication of our brilliant and, shockingly, not-widely-read cult author David Ohle, a free ad-supported eBook:

Advance orders for The Pisstown Chaos were so low last year, I canceled the original May 2007 publication, and tried again, this time for July 2008. And to pull out more stops, this preview eBook.

Here's what folks had to say about his previous installment.

“...if—as was provocatively asserted in Don DeLillo's Mao II—the terrorist has hijacked the novelist's role within our culture, is it then somehow supercilious of me to report that Ohle has written a novel that will behead his readers? ... I’d like to propose that getting your head lopped off by Ohle's fiction is a strange and unforgettable experience....In The Age of Sinatra, Ohle has seemingly concocted some sort of covert Oulipian recipe regarding the fantastic versus realism....Think The Phantom Tollbooth in a Technicolor, head-on collision with the Book of Job....American readers should take note of this insurgent fiction writer, David Ohle, who flays the human condition to singular, hallucinatory effect.”—Village Voice, Best Books of 2004

“A friend from high school once called me in tears: He was trying to make a mobile out of dead bugs but was having trouble bringing them into balance. If he had succeeded, that mobile might resemble this book: delicate and grotesque, tragic and hilarious, precarious but perfectly balanced. . . . The Age of Sinatra, a litany of symptoms, is less like an ordinary novel than it is like a patient history. But those might be the stories we feel most keenly of all.” —Shelley Jackson, Bookforum

“Age of Sinatra is far more consumed with catastrophe than Motorman. The novel advances an anxious investigation into how changes to memories and bodies can affect the state of a mind or the mind of a state. Although much has changed from the age of Nixon to the age of Bush the Younger, Age of Sinatra demonstrates that Ohle continues to construct an intoxicatingly vivid and demented world that is both reflective and revolutionary.” —LA Weekly

“The Age of Sinatra ...stands on its own as a contemporary classic. A word of caution: This book is for very discerning readers only. An engrossing feat of visceral story telling, this dark obsidian humored masterpiece is that x-rated, A-plus and non-plus ultra Twilight Zone episode one fervently hopes will remain fiction." —Rapid River Magazine

“Ohle borrows from conventions of science fiction, mythology, absurdist theater, and political satire to create a destabilizing para-reality: a world to which we expect to be able to relate, only to find it constantly surprising us with characters and ideas that are both disorientingly foreign and piercingly familiar....Tell 10 different people to read this book, and all 10 will say it's about something different. But judging by the response to Ohle's first novel, there is one reaction they are likely to have in common: They'll want to read more.” —Texas Observer

“The legendary author of Motorman is back. In The Age of Sinatra, David Ohle is so attuned to reality that he has invented a brand new world to reflect it. Whereas what is generally called realistic fiction is busy cataloging what we wear and buy, Ohle is documenting our last secrets, and he’s doing it with droll hilarity, brilliance, and a genuinely original vision.” —Ben Marcus

March 26, 2008

We must always remember that there are only two players that count, the author who creates the work and the reader who pays for it. All the rest are intermediaries who should add value and invariably also cost. If value is not seen then just like in other sectors no one’s position is safe, agents, publishers, printers, distributors, retailers etc.—Brave New World, via the ever alert and on-the-ball Kassia.

March 25, 2008

Mo Mazza

On Chicago Public Radio and with the charming folks at Pilcrow Lit Fest.

March 23, 2008

The Solitary Vice Miscellany

1. "Early in her erudite and witty new work, Mikita Brottman, a professor of humanities at the Maryland Institute College of Art, notes the recent profusion of "books about books," ranging from lists of books we "must" read before we die to thoughtful studies of the novel by prominent authors like Jane Smiley. But when she starts her own contribution to the genre by provocatively comparing reading with masturbation—"the solitary vice," as it was known in the Victorian Age—we know we're in for a wild literary ride."—Shelf Awareness

2. Brottman acknowledges that nothing has given her pure, unadulterated pleasure as much as reading. For her, reading is an addiction. Like all addictions, it had its downsides, especially during her early years.
"I read all the time, [but] there were some things that reading did for me that were not positive," she said. "It alienated me from my family, and my country. It gave me an idealized picture of romance and what the world was like. And it made me socially dysfunctional."—Interviewed by Geeta Sharma-Jensen in the Milwaukee Journal-Sentinel

3. Author is reading with Eileen Myles and Matthew Sharpe in the inaugural St. Marks Bookshop Reading Series, Thurs, March 27th.

4. Pictures from book party last week at the fabulous Atomic Books in Baltimore.

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March 22, 2008

The Other Book about White People

While a gone-viral website about whiteness has just generated its Canadian author a substantial six-figure advance, this gone-viral essay by Tim Wise is forthcoming in a book about whiteness—Speaking Treason Fluently—that did not generate such an advance, but will have a greater impact on posterity (and might even actually sell more copies, if the success of White Like Me is anything to go by.)

So that's the truth of the matter: Wright made one comment that is highly arguable, but which has also been voiced by white America's favorite black man, another that was horribly misinterpreted and stripped of all context, and then another that was demonstrably accurate. And for this, he is pilloried and made into a virtual enemy of the state; for this, Barack Obama may lose the support of just enough white folks to cost him the Democratic nomination, and/or the Presidency; all of it, because Jeremiah Wright, unlike most preachers opted for truth. If he had been one of those "prosperity ministers" who says Jesus wants nothing so much as for you to be rich, like Joel Osteen, that would have been fine. Had he been a retread bigot like Falwell was, or Pat Robertson is, he might have been criticized, but he would have remained in good standing and surely not have damaged a Presidential candidate in this way. But unlike Osteen, and Falwell, and Robertson, Jeremiah Wright refused to feed his parishioners lies.

Ragazze lupo

Matt Staggs talks to Martin Millar about lonely werewolf girls.

Also recommended, the Italian publisher Fazi editore MySpace page for their edition Ragazze lupo.

From the interviewer's intro:

Martin Millar's novel LONELY WEREWOLF GIRL is an offbeat urban fantasy tale about werewolves that's not afraid to cast the creatures in a completely different way. Far from mindless, bloodthirsty beasts, Millar's werewolves scheme and intrigue, design fashion, sing in rock bands, and do just about everything but meet conventional genre expectations. That's not to say that these wolves have been de-fanged. Far from it! Released in the UK last year, it has just arrived on US shelves. Martin was kind enough to take a few minutes to speak with us about his work in this short interview.

March 20, 2008

“You don’t have to be a student of an era to be the product of it.” That’s my label.

Flashpoint interviews Cris Mazza, includes kick-ass photo.

Current Cris Mazza-related project? Due to book's setting, find suitable Maine literary festival to invite her this summer. Always schemin' here...

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March 19, 2008

Nerve interviews our OCD-est author

Nerve: When I heard about the concept, I was skeptical. It sounds like a gimmick.

Graham Rawle: That's the thing that concerned me the most, that people would look at it as a novelty rather than a novel. For me, if the story doesn't work then it's quite a spectacular waste of time. So with the editing process, we had to be as ruthless as you would be with a straight novel. My editor would say, "We should cut chapter thirteen," and I'd have to go, "Okay. Well, that took eight months to make, but that's fine." [Nerve.com interview and Jessa's starting to buy into it]

CBS Sunday Morning on Paris Cafe

Soft Skull's first appearance on 60 Minutes since the Fortunate Son debacle of 2000. This one, featuring Paris Cafe was a wee bit milder.

March 16, 2008

"We Tell Stories"

It’s like we invented the written word, and we decided to only write books.

March 09, 2008

"I love to know that it will change the landscape of political graphics for decades to come."

Favianna Rodriguez, on why her labor-of-love book, Reproduce and Revolt, co-authored by Josh McPhee, is worth it.

And this evening, as I was struggling with the last leg of this book, I saw this piece and it made me remember why I do what I do. The piece is by an artist named "Pure Evil."

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March 04, 2008

One word for you...

Amanda.

Or rather, Hal.

Amanda Stern's one word interview this week is with Hal Hartley, whose book True Fiction Pictures and Possible Films we're publishing in the Fall—see below for a couple of spreads.

[Amanda's first One Word Interview was, appropriately methinks, with Moby.]

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March 03, 2008

Jobs bait 'n' switch?

The Times tech blog reads Steve Jobs.

March 01, 2008

Small Press Month Starts...

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