" /> Soft Skull News: February 2008 Archives

« January 2008 | Main | March 2008 »

February 28, 2008

Bogarting Books

A Seattle indie bookseller on book theft...

In my eight years working at an independent bookstore, I lost count of how many shoplifters I chased through the streets of Seattle while shouting "Drop the book!" I chased them down crowded pedestrian plazas in the afternoon, I chased them through alleys at night, I even chased one into a train tunnel. I chased a book thief to the waterfront, where he shouted, "Here are your fucking books!" and threw a half-dozen paperbacks, including Bomb the Suburbs and A People's History of the United States, into Puget Sound, preferring to watch them slowly sink into the muck rather than hand them back to the bookseller they were stolen from. He had that ferocious, orgasmic gleam in his eye of somebody who was living in the climax of his own movie: I suppose he felt like he was liberating them somehow.

To work in an independent bookstore is to always be aware of shoplifters. It can devour you; you can spend all your time watching people, wondering if they're watching you. Every shoplifter caught is a major victory against the forces of darkness; every one who escapes is another 10 minutes kept awake at night with gnashing teeth.

Alex Cox Double-Bill

A double-bill o' bloggers (sublime Lauren and wise Matthew) tell us about a double-bill (Lincoln Center NYC, tonight) of Alex Cox, who attentive readers will recall is to be one of our authors, come August 2008...

February 25, 2008

"Looks like we've got ourselves a...reader..."

The Gotham Comedy Club at 208 W 23rd Street here in NYC is hosting a benefit tribute to mark the 14th anniversary of Bill Hicks's passing on Tuesday, February 26 starting at 8pm. Hosted by Jesse Joyce, the night will include films of Bill (with funny material pre-inserted), plus live performances by Ted Alexandro and Greg Giraldo. Also on hand will be Bill's brother, Steve, and the producers of the upcoming BBC programme about Bill—Paul Thomas and Matt Harlock—who will present a sneak preview of the first 20 minutes. Proceeds from the night will benefit the Bill Hicks Foundation for Wildlife Rehabilitation in Austin, Texas.

FYI, we'll be re-issuing Love All the People in the Fall...

Here's some Bill Hicks for today...

I was in Nashville, Tennesee last year. After the show I went to a Waffle House. I'm not proud of it, I was hungry. And I'm alone, I'm eating and I'm reading a book, right? Waitress walks over to me: " Hey, whatchoo readin' for?"

Isn't that the weirdest fucking question you've ever heard? Not what am I readING, but what am I reading *for*? Well, godammit, ya stumped me! Why do I read? Well... hmmm... I dunno... I guess I read for a lot of reasons, and the main one is so I don't end up being a fucking waffle waitress.


Rebuild a Book

Amy Guth, of the Pilcrow Festival, has another project going on. Rebuilt.

We're asking authors to take a copy of their own book, destroy it, and rebuild it into a piece of art. Sculpture, on canvass, whatever. Just art. Recruit a team, if you must. Let us know if you're down to destroy your book, magazine, whatever. As long as it's yours in some way.

They'll then auction them at a shindig Saturday, May 24th to help rebuild New Orleans Public Libraries. Ron Biava, campaign coordinator of of NOPL will be onhand. If you're up for it, e-mail them.

All Soft Skull authors, consider this an explicit encouragement—we'll replace your copy two-fold if you do it...

February 24, 2008

How to Read Womans World: Some Thoughts Not My Own

I moved to write this entry not by my desire to hustle this book—though readers know that hustling books (baby on knee) is what gets me up in the morning and keeps me up at night—but this magnificent piece written about it by the brain trust at the Institute for the Future of the Book. That's also the reason why I have this in my The Future is Now category. First off, a little bit of the piece, then some general thoughts about p-books and e-books, and then some other folks ways-of-looking-at-Womans-World.

Just as Barthes finds structures by which to decipher what the reader experiences in "Sarrasine", there can be found structures to decipher what the reader experiences when reading Woman's World. At one level, there is the story – a sequence of words that could be put into a .TXT file and be exactly the same. At another level, there's the presentation. This is something that's hard to precisely pin down, but it's best explained by pointing out the difference between reading a plain text version of Rawle's story and the collaged version of the same. Try looking at Rawle's p. 307 and my neutral typesetting of it...

So, one thing I've noticed when I make my gauntlet-down-throwing at various panel discussions about how critical it is for independent publishers to be publishing electronically is that my corollary to that—the need to create print books whose objectness is far more unique than the generic widgets that populate most bookstores—gets ignored. Something like Woman's World is not currently possible electronically, not in any dynamic sense. It suggests a rich future, in fact, for p-books, provided that we cut down trees to fashion them into something more transporting and sui generis than the 10's of 1000's of broadly identical objects currently produced.

But I wouldn't be properly respecting Rawle's Womans World if I left it just at that—herewith Jezebel's post on the topic with, critically, all the comments—most though not all, are speculative, but starting points for conversation, nevertheless. And here is Bethanne Patrick's blog entry on Publishers Weekly, itself in a dialog with the book, with Jezebel, with PW's own review...

February 23, 2008

Matthue-Roth-a-Go-Go

Amy Guth, organizer of the Pilcrow Literary Festival and Chicago writer at large, takes Matthue Roth for a ride in the sporadic guest-authoring interview on her blog. Among other things, they Kevin Baconify each other and she tests his knowledge of Smiths lyrics.

In other Matthue Roth news, Candy in Action is out, he has a new daughter Yalta (as do many Soft Skull authors and staff members it's been a fecund time...), he's chatted with Jewlicious, and Jeneration, and writing for Jewcy.com.


Oh and Candy got a kick-ass review in Foreword... When a YA novel's protagonist is compared favorable to Hermione Granger at the start, it's gonna be good:

The feminist call for good female role models has been wildly successful. Hermione Granger’s wit and grit shine brightly among wizards, while Candy Cohen sparkles in the realm of mere heroines with mortal skills.

February 19, 2008

Tools of Change

Tim O'Reilly has a conference called Tools of Change, which is basically about the Future of Publishing, it was completely sold out, just last week, everyone is talking about it—so where's your report, Richard?

Well, the frustrating thing about independent publishing is that you spend so much time doing what you absolutely have to do that there is no time for discretionary activity like attending such conferences, plus Counterpoint's ducats are not going to extend to paying the fee to attend such pricey conferences and my lame ass was unable to get itself a seat on a panel, sigh.

Thus I'm as dependent as you on reports from others—the usual suspects (links are to the posts tagged with our current subject matter...): Galleycat, Booksquare, Jeff Gomez, and so on.

But here's a nice summation at Medialoper, itself referencing an article by Kevin Kelly, "Better Than Free," which is basically the next best thing to Rules for a Business Plan for Existing in the Future of Publishing.

A new genre—relationships the Soft Skull way

In the manner of a certain familiar throat-clearing: I am sometimes asked what kind of books Soft Skull publishes—a recent rote response has been that we don't rule out any genre, it just needs to be a book that in some fashion is of-but-in-opposition-to that particular genre.

As with my generalizations generally, there's a little bit of truth in it—we just published a few weeks ago, our first ever relationships book Making Love, Playing Power: Men, Women, & the Rewards of Intimate Justice by Ken Dolan-Del Vecchio. He's an author who contacted us at the suggestion of Tim Wise, an anti-racism activist we publish (White Like Me) and has done what is in effect a political book on relationships best summed up (I hope) by the tagline on the cover...

"The reason men don't listen to women is not because men can't understand what women say [pace John Gray]. The reason men don't listen to women is because they can get away with it."

Basically, it argues that for relationships to work, we can't pretend that classism, racism, and patriarchy don't exist...

February 17, 2008

Featherproof Books

Featherproof Books = part of The Future of Publishing.

Ames on Limonov & Kazmierczak

Mark Ames is a versatile guy—right now he's got a piece on Alternet "Northern Ill. University: Was the Killer Crazy, or the Campus Hopeless?" and on Radar "Of Russian Dissent—Radar's March issue investigates how cult Russian novelist Eduard Limonov, backed by an army of punked-out teens, is taking on Vladimir Putin." For those of you who enjoyed Ames's Going Postal we've another coming from the eXile's stable—War Nerd. Who dat, you ask, sans dipthong? Here's the War Nerd on the US Navy's aircraft carriers, aka USS Sitting Duck, the world's most expensive raft.


February 15, 2008

Indiespensible

So, I was going to be writing this post to tell you about how you should join this new Powells program, a subscription service for limited editions of new books, in fancypants packaging, called Indiespensible.

millet_slipcase100.jpg


I was going to be telling you, because I wanted to support the program, which is think is part of the future of the book business (we need to find more price points, people, we need to find ways to sell $100 editions, and $0.99 editions!), and because Lydia Millet's How the Dead Dream is the first selection.

They announced the program yesterday at 11:00am EST...and by 9:00 EST they'd sold out, all 200 copies.

So they didn't really need my help.

But you know, in the middle of writing this post, I finally got around to reading the interview of Lydia by Dave Weich, Powell's marketing guru, and I think it may be the best interview of Lydia I've ever read. I can't quite explain why, but it made me jealous.

So, kudos to Powells for an incredible launch and to Dave Weich for a great interview.

February 10, 2008

Get You War Back On

In honor of my new-found ability to upload images to the blog (who knew it was so easy) and of my newly-refound ability to publish Get Your War On (Oh, yeah, Operation Publishing Get You War On is back in the motherfucking house!!!), herewith one of David's latest
gywo.sewage.gif

And, to make myself a little clearer, we're publishing the next Get Your War On book, which will function as the only History of the War on Terror you'll ever need.

February 09, 2008

Woman's World, The Back Story

For five years Rawle, Stakhanovite of the scissors and paste, has labored 17 hours a day, seven days a week, assembling 40,000 fragments of text from women's magazines to produce a tale that moves with the pace of a thriller, with as many cliffhanging chapter endings and swerves of story. But there's the added excitement of a typographical rollercoaster: each page features nearly 100 variations as we lurch from sedate Times Roman to the full-blown exclamations of advertisers' fancy capitals.—The Guardian

As an artifact, it's stunning: a blackmailer's letter, a typographical archive, a sly game of chance and a labor of love…. Norma inhabits a world of Rayon, homecrafts and delicious Fray Bentos suppers. But this world is fractured, and its secret is quickly uncovered: imagine Gore Vidal's Myra Breckinridge rewritten by the creators of Little Britain. By borrowing the vocabulary of an era in which magazines were just inventing the defensive hard-sell of "femininity", Rawle allows Norma's stricken identity a heart-wrenching poignancy, as she spirals out of control. —The Scotsman

A brilliant invention, allowing full lyrical use of the available material, which Rawle gathers and pleats into rhapsodic riffs of garment ecstasy...Woman's World may prove to be metafiction's first bestseller.—The Guardian

What begins as an exquisitely wayward work of art and outright comic masterpiece transforms into a galloping plot of serious literary intent. Woman's World is charming, chilling, sinister, surreal and utterly unforgettable.—The Scotsman

The most wildly original novel produced in this country in the past decade . . .This book is a work of genius.— The Times

As mad and believable as a dream. Dreadfully funny and oddly unsettling. I think Graham Rawle may be a genius. —Joanna Lumley, yes, of Ab Fab.

Woman's World Page the Fifth and Final

WomanWorldFive.gif

February 05, 2008

Woman's World Page the Fourth

WomanWorldFour.gif

Woman's World Page Three

WomanWorldThree.gif

February 04, 2008

Woman's World Page Two

WomanWorldTwo.gif

Woman's World Page One

WomanWorldOne.gif