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"Hilton Obenzinger is an American original. His lost histories are acts of legerdemain and cunning - mixing truth and imagination in ways rarely seen before."
—Paul Auster |
| "Those who fancy historical fiction with an emphasis on the historical will relish Obenzinger's ( New York on Fire ) collection of seven fictional first-person accounts depicting San Francisco life from its early European settlement in 1776 to the major earthquake of 1906." —Publishers Weekly on Cannibal Eliot |
| "Having blazed a history of New York in verse (New York on Fire, 1989--not reviewed), Obenzinger now offers stories from San Francisco's colorful past, superbly twisting fact and fancy in a delightful, memorable concoction...Vivid, poignantly reconstructed moments in history--all rendered with wit and a keen eye for the quirks of human nature." —Kirkus Reviews on Cannibal Eliot | |
| Paper | 4 1/2 x 7 1/2 | 160 pgs. | ISBN: 1-932360-46-8 | List: $12.95 | 10/1/2004 | Available on Powells.com, Amazon.com, from your local BookSense store, and bookstores everywhere!



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About the book: With A*hole, Hilton Obenzinger has created an experimental fiction readers will experience as much as read. He draws from sources as varied as Mark Twain, the Patty Hearst story, the Biblical story of Abraham & Isaac, Melville's Ishmael, detective fiction, his own experiences as a father and a teacher on Yuork Indian reservations, Hollywood, the porn industry and more, which he swirls together around the vortex created by the pull of his central hole. A young boy wakes one morning to discover he is sinking into the earth despite the new sneakers his parents promised would save him. A young woman begins reviewing films before they are made. A postal worker named Gary fulfills his occupational cliché and attacks Danny DeVito. A father writes letters to his wayward and far-flung sons. An archeologist finds evidence, perhaps, of the permeance of time as well as earth. A detective accepts a case requiring him to connect Patty Hearst to her other self. Though the story in A*hole is in continual flux, Obenzinger skillfully braids the multiple narrative threads into a novel which is much larger than its physical size, lyrically beautiful, and absorbing through and through.
About the author: Hilton Obenzinger is the author of Cannibal Eliot and The Lost Histories of San FranciscoNew York on Fire, a history of the fires of New York in verse, selected by the Village Voice as one of the best books of the year and nominated by the Bay Area Book Reviewer’s Association for its poetry award; This Passover Or The Next I Will Never Be in Jerusalem, winner of the Before Columbus American Book Award. Earlier books include The Day of the Exquisite Poet is Kaput and Bright Lights! Big City!, and he is featured in Five on the Western Edge.
Born in 1947 in Brooklyn, raised in Queens, and graduating Columbia College in 1969, he has taught on the Yurok Indian Reservation, operated a community printing press in San Francisco’s Mission District, co-edited a publication devoted to Middle East peace, worked as a commercial writer and instructional designer. He received his doctorate in the Modern Thought and Literature Program at Stanford University in 1997 and currently teaches writing and American literature at Stanford and San Francisco State University.
From the book:
From the chapter entitled "Sinking" My parents became worried when I refused to go outside, so I didn’t tell them for a long time that the reason I wouldn’t go to school or even out on the street was because I was sinking. When I walked outside that day and took my very first step out of the door of our building I sank into the sidewalk. I just sank a tiny bit, maybe a hair, but I felt it for sure, yet when I picked up my foot there was no footprint left behind like when you walk on Jones Beach, and the sidewalk just covered itself back over where my foot had been. I went to school that first day I began to sink, and with every step I could feel that I was sinking deeper and deeper, and I was sure people would notice, the doorman would complain about the footprints ruining the sidewalk in front of the building, though he didn’t seem to mind or notice, the other kids would yell and scream, or for sure the teachers would rub their chins and call my parents, but no one could see it or maybe no one cared. By the time I got home I could barely see the tops of my Reeboks, it was like walking through an inch or two of snow, so I knew it was getting serious. When I got inside the school building the sinking stopped, and the same happened when I got back to our apartment building’s lobby, and I didn’t sink through the floor of our apartment either. Only when I was outside on the sidewalk or on the street did it happen, and the next day I tried again, and I began to sink the second I stood out on the pavement, and I raced back up to the apartment, and I decided I would never step outside again or else who knew how much I might sink the next time, up to my knees, up to my neck, and I didn’t want to find out, it was too scary. At first my parents thought I was trying to play hooky, but I told them school was OK just so long as it came to me but that I wouldn’t go to it, and they pleaded with me to tell them what was wrong, were the kids mean, and then they thought I was just being stubborn and I just wanted to play hooky, but after I was willing to get spanked or yelled at just so I wouldn’t step outside they really began to worry. I was sorry to make them so upset, and I really meant it, and I told them I was sorry, but I wasn’t crazy enough to go outside and get swallowed up. Finally, I had to explain to them what was happening, that I was sinking into the ground. At first they looked surprised, with a strange, curious look, but then they said they understood, although all that meant was that instead of yelling at me they began to whisper to each other. After awhile of whispering they told me that I better see a doctor in order to help me, that maybe I could take some medicine which would stop me from sinking, some kind of anti-quicksand pill. I told them there wasn’t any quicksand, that it was still solid sidewalk in Manhattan but that for some reason I was able to pass right through all the pebbles and molecules and stuff, or maybe they passed through me, and I didn’t know why. So they just called it anti-sinking medicine instead, and they explained that the doctors knew how to cure the problem if I would just go visit one. But how could I go out to visit a doctor if I might slip deep under the ground with my very first step? I said the doctor was OK, but only if he came to the apartment. No way was I going to walk outside. But they argued and argued and told me not to worry and that they would each hold me by the hand and if I sank they would hold me up long enough to get me into a cab waiting right outside the door. So finally I agreed. I put on a pair of new Nikes – they said new shoes might help – and we took the elevator down. When we reached the lobby I couldn’t take it anymore and tried to go back into the elevator but they grabbed my arms and told me not to worry they were with me and would protect me, but I knew otherwise, I knew that once you start to sink through the earth you never can stop. It’s one of those things that you feel inside you without knowing why or how, just that it’s true. They said I had to go. The doorman held the door open, the taxi driver stood next to his cab, and Mom and Dad stepped right outside, reached in for my hands, and pulled me through. The first step I took I sank up to my ankles. They all stared in amazement, the doorman’s eyes bugged out like one of The Three Stooges, the taxi driver ran behind the double-parked cab hoping the trunk would protect him, all four of them shouted in alarm, and Mom and Dad grabbed my hands even tighter. I kept my other foot back on the doorsill; then I took the next step. In an instant I began to sink more than ever before, up to my knees, sliding down into the sidewalk like it was warm butter, and this time I kept dropping, until the sidewalk was up to my chin, my hands over my head. Mom and Dad screamed but held on even as I sank over my head, and they held on to my fingertips as I reached up over my head until they couldn’t hold on any longer. My fingertips slipped beneath the concrete, but for Mom and Dad the concrete was still hard, so they had to let go when their own knuckles scrapped against the ground. Then I was sliding through dirt and darkness all alone, their screams growing fainter the deeper I plunged. This, then, is where our story begins. |